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Shouldering its way to the front of the crowd and demanding to be taken on its own terms, COMPANY is the epic saga of the rise and fall of a criminal cartel and the men and women who ran it. Combining Francis Ford Coppola's panoramic sweep and Martin Scorsese's delicate touch with actors, director Ram Gopal Varma delivers the greatest and grandest crime story to hit the screens since GOODFELLAS. Cold as the flicker of a cobra's tongue, Malik (dead-eyed, Ajay Devgan) recruits slum-thug, Chandu (Vivek Oberoi), to beef up his side in an internal war. The two come out on top and build an international business on a mountain of dead bodies. That the business consists of extortion, murder, and movie producing just means that they're competing in the big leagues. This gangsta hip
hopera is a technical triumph featuring an ensemble cast of hot-headed
Sikhs, movie-mad Muslims, pacifist getaway drivers, lazy brothers, blissfully
ignorant mothers, and girlfriends who are hopelessly in And the musical numbers! Boasting only two, one is a James Bondian credit sequence performed by Urmila Matondkar, Ram Gopal Varma's usual leading lady. Rumor has it that she saw a cut of the film and demanded to be included. The other is "Khallas", a slinky, J-Lo-in-a-dirty-way, nightclub number. Despite only two actual dance sequences, COMPANY throbs and hums with music: on the soundtrack, on the radio, blaring out of loudspeakers, burbling over cell phones. Stretching from
India, to Hong Kong, to Switzerland, to Kenya, COMPANY is a modern epic
about crime as a capitalist enterprise: if they won't buy what you're
selling, put a gun to their head; if they won't sell what you're > Visit what is arguably the best Ram Gopal Varma Fan Page on the web. |
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